Embassy, September 5th, 2007
NEWS STORY
Advocates Urge Canada to Get Active on Burma
a meeting place to discuss art, culture, and diversity
Advocates Urge Canada to Get Active on Burma
a 14-day intensive theatre laboratory training in Thai theatre and intercultural performance
Likay – Thailand’s traditional popular folk theatre (4 days)
* Vocal forms * Verse composition * Character types
* Movement and gesture standards * Clowning * Improvisational aspects
Intercultural Theatre (4 days)
* “Let the Body Talk” (movement-based text) * Image theatre
* Ensemble movement and sound improvisation
* Environmental theatre * Multi-lingual dramaturgy
Theatre Devising (3 days)
* Thematics and performance research process * Group devised scenario making
* Simultaneous dramaturgy
Performance at the Bangkok Theatre Festival
* Travel to Bangkok and perform at the opening weekend of the festival
At the Makhampom Living Theatre
Ban Dong village, Chiang Dao town, 75 km north of Chiang Mai, in northern Thailand
and the Bangkok Theatre Festival, Bangkok
Who Should Come?
* Performers, actors, directors, dramaturges, dancers, anyone with performance experience and an interest in ensemble performance, inter-cultural theatre, and Thai or Asian theatre.
* There are a minimum 5 and maximum 10 places available for international participants, with another 10 places allocated for Thai participants.
For enquiries/registration:
Email inter@makhampom.net or makhampom2@hotmail.com
Fax + 66 2 6168474
Price AUD $1,750 (conc. $1,500) (does not include flights)
For further information about the programs, and our internationally renowned trainers, Pradit (‘Tua’) Prasartthong, Pongjit (‘Jon’) Saphakhun, and Richard Barber, please visit
CALL FOR SUBMISSIONS
The PTC Colony on Granville Island
November 16-26, 2007
The PTC Colony is an annual play development intensive operated by Playwrights Theatre Centre in Vancouver, BC, open to professional Canadian playwrights. The 2006 Colony included Jason Bryden's The Dissemblers, slated for production by Touchstone Theatre in 2008, and Trina Davies'Waxworks, winner of the 41st Annual Alberta Playwriting Competition. Entering its second year, the Colony will provide a group of five playwrights-in-residence with a dedicated creative context, dramaturgical resources and a company of actors to read their work at intervals throughout the seven day colony. The focus is on the individual development of each playwright's work as well as the creation of a unique supportive and productive community of playwrights, directors, dramaturgs and actors. Playwright/novelist Don Hannah ( Ragged Islands) joins PTC Executive Director Martin Kinch and Associate Dramaturg Heidi Taylor as Colony dramaturgs. Participating playwrights must be available for full-time residency during the Colony and will receive accommodation, a meal allowance and, where necessary, travel to and from Vancouver. See below for application guidelines and more information.
Application Guidelines:
Application Deadline: September 5, 2007
Notification Date: September 17, 2007
Applicants must submit:
1) A completed application form along with a cheque or money order payable to Playwrights Theatre Centre to cover the application fee:
$25 for PTC Members / $50 for Non-Members.
Please note: The $50 application fee for non-members includes a year-long PTC Membership.
2) A copy of the current draft of the play you propose to work on during the colony. Copies must be unbound on 8 1/2" x 11" paper. Times or Courier 12-point font is preferred. Bound, three-hole punched or stapled scripts cannot be accepted.
Please note: Submissions by e-mail or fax will NOT be accepted. Hard copies only.
3) A letter outlining the developmental history of the play and what specific elements the playwright intends to focus on and develop through the colony.
4) A playwright's resume.
The successful plays will be selected based on recommendations from an advisory committee made up of Playwrights Theatre Centre artistic staff and Canadian theatre professionals.
Submit completed applications to:
PTC Colony on Granville Island
Playwrights Theatre Centre
#201 – 1398 Cartwright Street
Vancouver, BC V6H 3R8
DEADLINE FOR RECEIPT OF APPLICATION PACKAGES:
Wednesday, September 5, 2006, 5:00 PM,
Please allow enough time for your submission to reach the PTC office by the deadline. We will not accept applications submitted via e-mail.
For more information, contact Heidi Taylor at 604-685-6228 or heidi@playwrightstheatre.com.
Festival Director Erika Hennebury
RISK RIOT REJUVINATION
Buddies is seeking submissions for the 30th incarnation of the country’s oldest new works fest. Curated by Buddies’ Associate Producer, Erika Hennebury, Rhubarb is an annual festival of new, original, innovative contemporary performance.
DEADLINE: 5pm, Fri, Sept 14, 2007
SUBMISSION GUIDELINES
Rhubarb is a partially curated, but primarily submission-driven festival. Submissions are reviewed by a selection committee composed of Erika Hennebury, Festival Director, David Oiye, Artistic Director, Jim LeFrancois, Producer and Associate Artists Ed Roy and Moynan King. Criteria for this year’s festival are strongly in the realm of experimental, devised, innovative contemporary performance. Although script-based submissions will be accepted, Buddies strongly encourages submissions which are more experimental in nature. Rhubarb seeks submissions from contemporary theatre, conceptual dance, performance art, new media, installation art and welcomes new hybrids of live performance as well as cross-disciplinary experiments and collaborations.
THE 2008 RHUBARB FESTIVAL STAGES
The 2008 Rhubarb Festival seeks proposals for the following stages:
The Cabaret: performances up to 25 minutes in length, for a fixed, raised proscenium stage
The Chamber: performances up to 25 minutes in length, for the Buddies Mainspace
The Mini-Stage: 1-5 minute performances or installations for a small audience in a
*small space
The Solo-Stage: 1-2 minute performances or installations for a single audience member, in a *very small space
Environmental & Late-Night: happenings, interactive installations and other ancillary performances and 5-minute late-night Cabaret performances
* for venue specifications or further clarification, contact Erika Hennebury
Submissions may include (but are not limited to):
Short plays, collective creations, conceptual dance, performance art, new media, installation art, opera, music theatre, new hybrids of live performance as well as cross-disciplinary experiments and collaborations.
Submissions must include:
∙ a copy of the completed application form
∙ a copy of your project description (1 page)
∙ a copy of your script or performance synopsis (25 min max)
∙ a copy of bios for your artistic team
∙ a copy of a brief history of your work or a company history (1 page)
∙ a copy of any support materials
The Deadline:
The deadline for all submissions is:
5:00pm Friday, September 14th 2007
late submissions may not be considered
submissions post-marked up to Sept 14 will be accepted
The Details:
2008 Rhubarb Festival Application is available on our website: www.buddiesinbadtimestheatre.com
Proposed performances may be no longer than 25 minutes in length.
Proposals submitted in a format longer than 25 minutes may not be considered.
Works submitted must be new, never previously produced and original.
Submissions must submitted in hard copy only and must be accompanied by and 2008 Rhubarb Festival Application form (available online).
Please keep a copy of your submission.
Fax or email submissions will not be accepted.
Please mail or drop off submissions to:
Erika Hennebury, Rhubarb! Festival Director
Buddies in Bad Times Theatre
By The Irrawaddy
August 17, 2007
Burmese living in
The
Around 25 prominent Burmese working to restore democracy in
The conference organizer told The Irrawaddy that Canadian members of parliament, officials from Foreign Affairs Canada, ambassadors to
Conference organizers have sent appeal letters to Canadian officials to intervene. So far only two Burmese have been granted visa.
Tin Maung Htoo, the conference organizer and executive director of Canadian Friends of Burma based in
The process is "unreasonably stringent for some applicants, in this case Burmese citizens and other citizens we invited," he said. "Even compared to the
"This is very unfortunate and an apparent contradiction to what
Canadian aid organizations such as Canada Fund and the Canadian International Development Agency support Burmese refugees and Burmese groups along the Thai-Burmese border.
Last year, Dr Cynthia Maung, a Karen doctor who has won international humanitarian awards and was featured as an "Asia Hero" in Time magazine, was denied a visa at the Canadian embassy in
According to Tin Maung Htoo, when Burmese applied for visas at Canadian embassies in
He said that he sent an appeal letter to Stockwell Day, the minister for public safety in
In the letter obtained by The Irrawaddy, he said: “A number of our guests’ visa applications have been turned down by Canadian embassies in
Similar appeals and requests for intervention were also sent to Diane Finley,
According to senior members of CFOB and Burmese who were not granted visas in the past, Canadian immigration officials have stated that visas could not be issued to an individual who lived in another country without lawful permission. It is considered too high of a risk for
Tin Maung Htoo’s said the incident has offended the applicants. He said the CFOB repeatedly assured the embassies that the applicants' expenses and return tickets were taken care of, but the embassy staffs did not take the assurances seriously.
A CFOB member said Canadian immigration officials are concerned that Burmese who visit
A Burmese activist who lives in Mae Sot said he did not want to complain about the visa restrictions. However, he felt that his rights were violated.
“They (immigration officers) were not satisfied with many things, including my financial status and my travel history and background," he said.
In a related issue, an international women's conference scheduled to meet in September in
On August 1, Tara Beagan joins Cahoots Theatre Projects as its Playwright-in-Residence for the 2007/2008 season.
Tara is an accomplished actor and playwright. Her first play, Thy Neighbour's Wife, was nominated for three Dora Mavor Moore Awards, winning one for Outstanding New Play. Her second play, Dreary and Izzy was produced by Native Earth Performing Arts in 2005. She was part of Tarragon Theatre Playwright's Unit 2006, as well as Nightwood Theatre's Groundswell Festival 2006. She has begun work on a new collective at the Centre for Indigenous Theatre where she will be playwright-in-residence for the 2008/09 season. Much of her writing strives to bridge the two worlds she inhabits culturally—Thompson River Salish and Irish Canadian.
With Cahoots, Tara will be developing her play Quilchena which is based on harrowing, real-life events that took place in the B.C. Interior in 1978. In the Nicola Valley, Monica Jack went missing thirteen days shy of her thirteenth birthday. In Quilchena, Tara writes of a community mourning Monica as they imagine her into adulthood. Seventeen years later, Monica returns to her people as they sleep, to bid them goodbye.
Tara joins a list of distinguished writers who have worked with Cahoots over its twenty-year history. Playwrights such as Marjorie Chan, Rahul Varma, Daniel David Moses, Betty Quan, Florence Gibson, and
“We’ve all been huge fans of Tara’s remarkable voice,” says Cahoots Artistic Director
Cahoots extends its gratitude to the Ontario Arts Council for supporting Tara’s term through its Playwright Residency Grant.
For more information please contact:
Communications & Outreach Coordinator
Cahoots Theatre Projects
(416) 203-9000
Call for Submissions
Carlos Bulosan Theatre
Play Creation Unit
The Carlos Bulosan Theatre’s (CBT’s) mandate is to reflect on social issues affecting the Filipino and broader community. CBT is also committed to creating innovative work that reflects a vibrant, new generation of Filipino-Canadian artists. CBT seeks to encourage and develop Filipino-Canadian writers, performers, and other artists within the community.
The CBT Play Creation Unit is a novice play creation program. It introduces participants to various approaches to making theatre. Through regular workshops and sessions with professional theatre artists, we help participants identify, cultivate and explore their creative voice. Each member will create a 10-15 minute piece of theatre that will be presented in CBT’s annual showcase of new work Tales from the Flipside at the end of February 2008.
Submission Guidelines:
The Play Creation Unit begins meeting September 2007 through to January 2008.
The deadline for submissions is August 3, 2007. Submissions can be sent by email to: info@carlosbulosan.com . Submissions by mail should be sent to: Carlos Bulosan Theatre, 167 Augusta Avenue, Toronto, Ontario, M5T 2L4